"Why I'm Here" - Jacqueline Berger

Because my mother was on a date
with a man in the band, and my father,
thinking she was alone, asked her to dance.
And because, years earlier, my father
dug a foxhole but his buddy
sick with the flu, asked him for it, so he dug
another for himself. In the night
the first hole was shelled.
I'm here because my mother was twenty-seven
and in the '50s that was old to still be single.
And because my father wouldn't work on weapons,
though he was an atomic engineer.
My mother, having gone to Berkeley, liked that.
My father liked that she didn't eat like a bird
when he took her to the best restaurant in L.A.
The rest of the reasons are long gone.
One decides to get dressed, go out, though she'd rather
stay home, but no, melancholy must be battled through,
so the skirt, the cinched belt, the shoes, and a life is changed.
I'm here because Jews were hated
so my grandparents left their villages,
came to America, married one who could cook,
one whose brother had a business,
married longing and disappointment
and secured in this way the future.

It's good to treasure the gift, but good
to see that it wasn't really meant for you.
The feeling that it couldn't have been otherwise
is just a feeling. My family
around the patio table in July.
I've taken over the barbequing
that used to be my father's job, ask him
how many coals, though I know how many.
We've been gathering here for years,
so I believe we will go on forever.
It's right to praise the random,
the tiny god of probability that brought us here,
to praise not meaning, but feeling, the still-warm
sky at dusk, the light that lingers and the night
that when it comes is gentle.

"Acquainted with the Night" - Robert Frost

I have been one acquainted with the night.
I have walked out in rain – and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,

But not to call me back or say good-bye;
And further still at an unearthly height,
A luminary clock against the sky

Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

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And a quote: "In three words I can sum up everything I've learned about life: it goes on."

"Antilamentation" - Dorianne Laux

Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook, not
the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication, not
the lover you left quivering in a hotel parking lot,
the one you beat to the punch line, the door or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don't regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the living room couch,
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You've walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You've traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the window.
Harmless as a broken ax. Emptied of expectation.
Relax. Don't bother remembering any of it. Let's stop here,
under the lit sign on the corner, and watch all the people walk by.

"You and I" - Jonathan Potter

You are a warm front
that moved in from the north,
a blind spot bearing beautiful gifts,
a garden in the air, a golden filament
inscribed with the name of God's hunting dog,
a magic heirloom mistaken for a feather duster,
a fountain in a cow pasture, an anachronistic anagram
annoyed by anonymity, a dollar in the pocket
of a winter coat in summer.

And I am the discoverer of you.

"Your Punishment in Hell" - Gary Leising

Someone will douse a cobra in gasoline,
light the sucker, and shove it headfirst
down your throat. It'll speed straight
through your esophagus, unfurl
its hood to fill your stomach
then begin to strike and strike and strike
and strike and strike: fangs pierce
your stomach, venom pours in,
the little burn of incipient ulcers
grows quick, paralysis sets in.
Your lungs stop before your brain,
before your hand, which lifts
to your mouth the plastic-lidded
paper cup holding the caramel
macchiato cappuccino with a double
shot of espresso and frothed soy milk
topped with two shakes of cinnamon
and no, NO (yes, you said no twice)
sugar that was made for you
slowly, while I, already running late,
waited behind you for a simple,
already-made black coffee.
You will lose all motion before
that drink reaches your mouth,
but you recover and the drink,
strangely, has vanished, and barrista
and cobra-douser-slash-lighter do it all again
and again. I know this because,
for my angry impatience,
I am behind you in line in hell
forever, the pot of black coffee
behind the counter steaming,
turning, I know, bitter.

"Gold Horse, Brown Horse" - Candace Black

In the pasture behind
the house, an island of berries
ripens in the summer
heat. They will grow
plump, darker than garnets, then shrivel
away, or rotting, fall
to the brambles, tasted only by birds,
field mice. Two horses graze
here. They watch from a distance as you
whistle, their ears shifting with each
variation. One morning they reward
you and stand at the fence, flies
clinging to the moist corners
of their eyes. They know
how to take the offered
apple, even from a child's hand. Brownie
shies from the gold one. She comes
only when he moves on, and then
with hesitation. You stroke her forehead's
blaze, give her your palm to smell,
to nuzzle. Late August,
two horses rolling in the afternoon dust.

"Evolution" - Eliza Griswold

Was it dissatisfaction or hope
that beckoned some of the monkeys
down from the trees and onto the damp
forbidden musk of the forest floor?

Which one tested his thumbs
against the twig
and awkwardly dug a grub
from the soil?

What did the tribe above think
as it leaned on the slender branches
watching the others
frustrated, embarrassed,
but pinching grubs
with leathery fingers
into their mouths?

The moral is movement
is awkward. The lesson is fumble.