Sunday, April 27, 2008

"To The Virgins, To Make Much Of Time" - Robert Herrick

Gather ye Rose-buds while ye may,
Old Time is still a flying:
And this same flower that smiles today,
Tomorrow will be dying.

The glorious Lamp of Heaven, the Sun,
The higher he's a getting;
The sooner will his Race be run,
And nearer he's to Setting.

That Age is best, which is the first,
When Youth and Blood are warmer;
But being spent, the worse, and worst
Times, still succeed the former.

Then be not coy, but use your time;
And while ye may, goe marry:
For having lost but once your prime,
You may for ever tarry.

Thursday, April 24, 2008

"Man Writes Poem" - Jay Leeming

This just in a man has begun writing a poem
in a small room in Brooklyn. His curtains
are apparently blowing in the breeze. We go now
to our man Harry on the scene, what's

the story down there Harry? "Well Chuck
he has begun the second stanza and seems
to be doing fine, he's using a blue pen, most
poets these days use blue or black ink so blue

is a fine choice. His curtains are indeed blowing
in a breeze of some kind and what's more his radiator
is 'whistling' somewhat. No metaphors have been written yet,
but I'm sure he's rummaging around down there

in the tin cans of his soul and will turn up something
for us soon. Hang on—just breaking news here Chuck,
there are 'birds singing' outside his window, and a car
with a bad muffler has just gone by. Yes ... definitely

a confirmation on the singing birds." Excuse me Harry
but the poem seems to be taking on a very auditory quality
at this point wouldn't you say? "Yes Chuck, you're right,
but after years of experience I would hesitate to predict

exactly where this poem is going to go. Why I remember
being on the scene with Frost in '47, and with Stevens in '53,
and if there's one thing about poems these days it's that
hang on, something's happening here, he's just compared the curtains

to his mother, and he's described the radiator as 'Roaring deep
with the red walrus of History.' Now that's a key line,
especially appearing here, somewhat late in the poem,
when all of the similes are about to go home. In fact he seems

a bit knocked out with the effort of writing that line,
and who wouldn't be? Looks like ... yes, he's put down his pen
and has gone to brush his teeth. Back to you Chuck." Well
thanks Harry. Wow, the life of the artist. That's it for now,

but we'll keep you informed of more details as they arise.

Tuesday, April 22, 2008

"House" - Billy Collins

I lie in a bedroom of a house
that was built in 1862, we were told—
the two windows still facing east
into the bright daily reveille of the sun.

The early birds are chirping,
and I think of those who have slept here before,
the family we bought the house from—
the five Critchlows—

and the engineer they told us about
who lived here alone before them,
the one who built onto the back
of the house a large glassy room with wood beams.

I have an old photograph of the house
in black and white, a few small trees,
and a curved dirt driveway,
but I do not know who lived here then.

So I go back to the Civil War
and to the farmer who built the house
and the rough stone walls
that encompass the house and run up into the woods,

he who mounted his thin wife in this room,
while the war raged to the south,
with the strength of a dairyman
or with the tenderness of a dairyman

or with both, alternating back and forth
so as to give his wife much pleasure
and to call down a son to earth
to take over the cows and the farm

when he no longer had the strength
after all the days and nights of toil and prayer—
the sun breaking over the same horizon
into these same windows,

lighting the same bed-space where I lie
having nothing to farm, and no son,
the dead farmer and his dead wife for company,
feeling better and worse by turns.

(How I love Billy Collins. I was lucky enough to hear him speak once at UCSB...)

Thursday, April 17, 2008

"Fix" - Alicia Suskin Ostriker

The puzzled ones, the Americans, go through their lives
Buying what they are told to buy,
Pursuing their love affairs with the automobile,

Baseball and football, romance and beauty,
Enthusiastic as trained seals, going into debt, struggling —
True believers in liberty, and also security,

And of course sex — cheating on each other
For the most part only a little, mostly avoiding violence
Except at a vast blue distance, as between bombsight and earth,

Or on the violent screen, which they adore.
Those who are not Americans think Americans are happy
Because they are so filthy rich, but not so.

They are mostly puzzled and at a loss
As if someone pulled the floor out from under them,
They'd like to believe in God, or something, and they do try.

You can see it in their white faces at the supermarket and the gas station
— Not the immigrant faces, they know what they want,
Not the blacks, whose faces are hurt and proud —

The white faces, lipsticked, shaven, we do try
To keep smiling, for when we're smiling, the whole world
Smiles with us, but we feel we've lost

That loving feeling. Clouds ride by above us,
Rivers flow, toilets work, traffic lights work, barring floods, fires
And earthquakes, houses and streets appear stable

So what is it, this moon-shaped blankness?
What the hell is it? America is perplexed.
We would fix it if we knew what was broke

Monday, April 14, 2008

"The Silver Swan" - Anon

The silver swan, who living had no note,
When death approached unlocked her silent throat,
Leaning her breast against the reedy shore,
Thus sung her first and last, and sung no more:
Farewell all joys, O death come close mine eyes,
More geese than swans now live, more fools than wise.



"We Bring Democracy To The Fish" - Donald Hall

It is unacceptable that fish prey on each other.
For their comfort and safety, we will liberate them
into fishfarms with secure, durable boundaries
that exclude predators. Our care will provide
for their liberty, health, happiness, and nutrition.
Of course all creatures need to feel useful.
At maturity the fish will discover their purposes.

"Diary of a Church Mouse" - John Betjeman

Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the Vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun. All the same,
They do not fill my meagre frame. For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes... it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear the organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't' see at all
Except at Harvest Festival.

"Montana" - Gary Johnson

A great many small failures have brought me to this
Dark room where, against the teachings of the church,
I lie in the forgiving dark with you and we kiss
And loosen our clothing and feel the hot urge
Toward nakedness, man's natural destination,
The slow unbuttoning, unclasping, until at last
We lie revealed. The fine sensation
Of you on my skin. A slender woman as vast
As Montana and I am now heading west
On a winding road through the dark contours
Of mountains and into a valley, coming to rest
In a meadow that I recognize as yours.
This is what I drove across North Dakota to find:
This sweet nest. And put all my failed life behind.

Thursday, April 10, 2008

My first time.

I feel kind of dirty about this whole thing. I mean, there was a reason that I deleted the livejournal I wrote in for ohhh let's say... 5 years?

Anyway, expect nothing profound from me. Only profundity penned by the hands of others.

Most of, if not all, of the pieces I post are gathered from my daily exposure to The Writer's Almanac, an email subscription I have been receiving since High School.

End.