Thursday, September 30, 2010

"Film Noir" - Nicholas Christopher

The girl on the rooftop stares out
over the city and grips a cold revolver.
Laundry flaps around her in the hot night.
Each streetlight haloes a sinister act.
People are trapped in their beds, dreaming of
the A-bomb and hatching get-rich-quick schemes.
Pickpockets and grifters prowl the streets.
Hit-men stalk informers and crooked cops hide in churches.
Are there no more picket fences and tea parties
in America? Does no one have a birthday anymore?
Even the ballgames are fixed, and the quiz shows.
Airplanes full of widows circle the skyline.
Young couples elope in stolen cars.
All the prostitutes were wronged terribly in childhood.
They wear polka dot skirts, black gloves, and trenchcoats.
Men strut around in boxy suits, fedoras, and palm-tree ties.
They jam into nightclubs or brawl in hotel rooms
while saxophone music drowns out their cries.
The girl in the shadows drops the revolver
and pushes through the laundry to the edge of the roof.
Her eyes are glassy, her hair blows wild.
She looks down at her lover sprawled on the sidewalk
and she screams.
A crowd gathers in a pool of neon.
It starts to rain.

Wednesday, September 22, 2010

"Theories of Time and Space" - Natasha Trethewey

You can get there from here, though
there's no going home.

Everywhere you go will be somewhere
you've never been. Try this:

head south on Mississippi 49, one-
by-one mile markers ticking off

another minute of your life. Follow this
to its natural conclusion – dead end

at the coast, the pier at Gulfport where
riggings of shrimp boats are loose stitches

in a sky threatening rain. Cross over
the man-made beach, 26 miles of sand

dumped on the mangrove swamp – buried
terrain of the past. Bring only

what you must carry – tome of memory,
its random blank pages. On the dock

where you board the boat for Ship Island,
someone will take your picture:

the photograph – who you were—
will be waiting when you return.

Monday, September 20, 2010

"How the Stars Came Down" - Pat Schneider

Night. How the stars came down
arching over us, and the only name
we had for them was shooting stars.
Why there were so many was anybody's guess.
My great grandmother thought the world
was coming to an end when Haley's comet
flared across the sky. I lay flat on my back
and watched the night sky falling
all around me and I wanted,
more than anything, never to go home.
I did, of course. They put us campers into busses
and drove us back to tenements,
asphalt and streetlights in the city.
What I didn't know that night
in my bedroll at Sherwood Forest Camp
was that when I got home,
home wasn't my real home any more.
I had a new home in my remembering
and it was dark and safe and beautiful
with shooting stars still falling all around.

Friday, September 10, 2010

"What People Give You" - Kathleen Sheeder Bonanno

What People Give You

Long-faced irises. Mums.
Pink roses and white roses
and giant sunflowers,
and hundreds of daisies.

Fruit baskets with muscular pears,
and water crackers and tiny jams
and the steady march of casseroles.
And money,
people give money these days.

Cards, of course:
the Madonna, wise
and sad just for you,
Chinese cherry blossoms,
sunsets and moonscapes,
and dragonflies for transcendence.

People stand by your sink
and offer up their pain:
Did you know I lost a baby once,
or My eldest son was killed,
or My mother died two months ago.

People are good.

They file into your cartoon house until it bows at the seams;
they give you every
blessed
thing,
everything,
except your daughter back.