If on a summer afternoon a man should find himself
in love with only one woman
in a sea of women, all the others mere half-naked
swimmers and floaters, and if that one woman
therefore is clad in radiance
while the mere others are burdened by their bikinis,
then what does he do with a world
suddenly so small, the once unbiased sun
shining solely on her? And if that afternoon
turns dark, fat clouds like critics dampening
the already wet sea, does the man run—
he normally would—for cover, or does he dive
deeper in, get so wet he is beyond wetness
in all underworld utterly hers? And when
he comes up for air, as he must,
when he dries off and dresses up, as he must,
how will the pedestrian streets feel?
What will the street lamps illuminate? How exactly
will he hold her so that everyone can see
she doesn't belong to him, and he won't let go?
Friday, June 19, 2009
Wednesday, June 17, 2009
"Farewell to Teaching" - George Johnston
Knowing what I now know
would I have consented
to be born? Next question.
When it comes time to go
will I go forlorn or
contented? Ask again.
Anything in between
should be easier. O
K, what made up my mind
to come to Carleton? Work.
My kind of work was not
easy to come by, I
came by it at Carleton;
it was simple as that
and lucky, plain lucky.
I cannot account for luck
but I can be grateful.
What was my kind of work?
Presumably teaching,
whatever that may be.
Teaching is a kind of
learning, much like loving,
mutual goings-on,
both doing each to each;
mutual forbearance;
life itself, you might say.
Whatever teaching is
did I enjoy it? Yes.
Am I glad to leave it?
Even of life itself
enough is enough. Good-
bye Dow's Lake, goodbye Tower,
essays, papers, exams,
you I can bear to leave.
Bur how shall I improve
the swiftly-dimming hour?
I shall deteriorate
amid bucolic dreams
and gather in my fate;
there's lots worse ways than that.
Goodbye good friends. Alas,
some goodbyes are like death;
they bring the heart to earth
and teach it how to die.
Earth, here we come again,
we're going our to grass.
Think of us now and then,
we'll think of you. Goodbye.
would I have consented
to be born? Next question.
When it comes time to go
will I go forlorn or
contented? Ask again.
Anything in between
should be easier. O
K, what made up my mind
to come to Carleton? Work.
My kind of work was not
easy to come by, I
came by it at Carleton;
it was simple as that
and lucky, plain lucky.
I cannot account for luck
but I can be grateful.
What was my kind of work?
Presumably teaching,
whatever that may be.
Teaching is a kind of
learning, much like loving,
mutual goings-on,
both doing each to each;
mutual forbearance;
life itself, you might say.
Whatever teaching is
did I enjoy it? Yes.
Am I glad to leave it?
Even of life itself
enough is enough. Good-
bye Dow's Lake, goodbye Tower,
essays, papers, exams,
you I can bear to leave.
Bur how shall I improve
the swiftly-dimming hour?
I shall deteriorate
amid bucolic dreams
and gather in my fate;
there's lots worse ways than that.
Goodbye good friends. Alas,
some goodbyes are like death;
they bring the heart to earth
and teach it how to die.
Earth, here we come again,
we're going our to grass.
Think of us now and then,
we'll think of you. Goodbye.
Tuesday, June 16, 2009
Happy Bloomsday!
"O and the sea the sea crimson sometimes like fire and the glorious sunsets and the
figtrees in the Alameda gardens yes and all the queer little streets and pink and blue
and yellow houses and the rosegardens and the jessamine and geraniums and
cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put
the rose in my hair like the Andalusian girls used or shall I wear a red yes and how
he kissed me under the Moorish wall and I thought well as well him as another and
then I asked him with my eyes to ask again yes and then he asked me would I yes to
say yes my mountain flower and first I put my arms around him yes and drew him
down to me so he could feel my breasts all perfume yes and his heart was going like
mad and yes I said yes I will Yes."
-James Joyce
figtrees in the Alameda gardens yes and all the queer little streets and pink and blue
and yellow houses and the rosegardens and the jessamine and geraniums and
cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put
the rose in my hair like the Andalusian girls used or shall I wear a red yes and how
he kissed me under the Moorish wall and I thought well as well him as another and
then I asked him with my eyes to ask again yes and then he asked me would I yes to
say yes my mountain flower and first I put my arms around him yes and drew him
down to me so he could feel my breasts all perfume yes and his heart was going like
mad and yes I said yes I will Yes."
-James Joyce
Friday, June 5, 2009
"Dragonflies at Dawn" - David Allen Sullivan
They couple above this still pool, red rusted male
in front, four wings blurring the light;
butterscotch-colored female anchored to his tail.
They careen into grass stalks,
then explode across vast distances.
The lightness of their bodies, heaviness of my own.
Their ballet singes the air with red wheeling fire
as his abdomen curls back to hers
to fertilize mid-flight—a snake eating its tail.
Now they skitter from safe harbor to safe harbor,
touching down beneath piers of bent grass.
Her tail dimples the pond, dispatching eggs.
I want wings to lift me above these waters of regret.
I want sunlight charged with electricity—
in my eyes, the dew reflects a hundred you's.
in front, four wings blurring the light;
butterscotch-colored female anchored to his tail.
They careen into grass stalks,
then explode across vast distances.
The lightness of their bodies, heaviness of my own.
Their ballet singes the air with red wheeling fire
as his abdomen curls back to hers
to fertilize mid-flight—a snake eating its tail.
Now they skitter from safe harbor to safe harbor,
touching down beneath piers of bent grass.
Her tail dimples the pond, dispatching eggs.
I want wings to lift me above these waters of regret.
I want sunlight charged with electricity—
in my eyes, the dew reflects a hundred you's.
Tuesday, May 26, 2009
"The Perfect Black Blazer" - Bobbi Lurie
The head nurse called to say
Mom threw a potted plant,
smashed the TV set, banged
her head against the wall.
When I got there I saw the deep
bruise on her forehead.
She could barely speak so we sat
mute for some minutes.
I watched her slide to the side
of the couch as she scratched
her arms, pulled at her hair.
I needed to bring her back
so I told the story of
our Saturday excursions,
searching for the perfect
black blazer.
I exaggerated
the futility of finding
something immaculate like that,
something slim-fitting and neat,
able to match any pair of pants
or skirt we wore.
We never found it
of course but kept searching
as we watched other women
more glamorous than we were.
When I asked if she
remembered that, she laughed
and said, "oh yes."
I looked around the room
into the distant faces,
haunted hair, blank stares.
"Time for lunch," a nurse yelled.
I walked Mom to her chair,
watched the aides tie
bibs around the residents’ necks,
leaned to kiss
Mom gently good-bye on her cheek,
trying not to notice
she no longer smelled like
my mother.
She had taken on the scent
of the urine-ammonia halls
and the talc caked heavy
on her body.
I walked out, then felt
something strange
like a voice without words
tell me to return so I ran
quickly back
to where she sat, her hands
on her lap.
They were the same hands,
so I squeezed them tight,
kissed her for a second time.
Only this time I hugged
her close,
inhaled deep,
took her all in.
---
Ohdeargod, this made me tear up at work.
Mom threw a potted plant,
smashed the TV set, banged
her head against the wall.
When I got there I saw the deep
bruise on her forehead.
She could barely speak so we sat
mute for some minutes.
I watched her slide to the side
of the couch as she scratched
her arms, pulled at her hair.
I needed to bring her back
so I told the story of
our Saturday excursions,
searching for the perfect
black blazer.
I exaggerated
the futility of finding
something immaculate like that,
something slim-fitting and neat,
able to match any pair of pants
or skirt we wore.
We never found it
of course but kept searching
as we watched other women
more glamorous than we were.
When I asked if she
remembered that, she laughed
and said, "oh yes."
I looked around the room
into the distant faces,
haunted hair, blank stares.
"Time for lunch," a nurse yelled.
I walked Mom to her chair,
watched the aides tie
bibs around the residents’ necks,
leaned to kiss
Mom gently good-bye on her cheek,
trying not to notice
she no longer smelled like
my mother.
She had taken on the scent
of the urine-ammonia halls
and the talc caked heavy
on her body.
I walked out, then felt
something strange
like a voice without words
tell me to return so I ran
quickly back
to where she sat, her hands
on her lap.
They were the same hands,
so I squeezed them tight,
kissed her for a second time.
Only this time I hugged
her close,
inhaled deep,
took her all in.
---
Ohdeargod, this made me tear up at work.
Wednesday, May 6, 2009
"Larson's Holstein Bull" - Jim Harrison
Death waits inside us for a door to open.
Death is patient as a dead cat.
Death is a doorknob made of flesh.
Death is that angelic farm girl
gored by the bull on her way home
from school, crossing the pasture
for a shortcut. In the seventh grade
she couldn't read or write. She wasn't a virgin.
She was "simpleminded," we all said.
It was May, a time of lilacs and shooting stars.
She's lived in my memory for sixty years.
Death steals everything except our stories.
Death is patient as a dead cat.
Death is a doorknob made of flesh.
Death is that angelic farm girl
gored by the bull on her way home
from school, crossing the pasture
for a shortcut. In the seventh grade
she couldn't read or write. She wasn't a virgin.
She was "simpleminded," we all said.
It was May, a time of lilacs and shooting stars.
She's lived in my memory for sixty years.
Death steals everything except our stories.
Sunday, May 3, 2009
"In Blackwater Woods" - Mary Oliver
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
Subscribe to:
Posts (Atom)